Adriaen Willaert - schilderij door Titiaan

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WETENSCHAPPELIJKE BIBLIOGRAFIE

 


b. chronologisch

Deze chronologisch geordende bibliografie poogt een omvattend overzicht te bieden van de secundaire literatuur die sinds de 19 de eeuw over Adriaan Willaert is verschenen. In deze lijst zijn ook publicaties opgenomen die Willaerts oeuvre in een breder historisch, analytisch, artistiek en religieus kader plaatsen. Deze bibliografie is uiteraard voor uitbreiding vatbaar. Opmerkingen en/of suggesties hieromtrent kunnen gestuurd worden naar katelijne.schiltz@gmx.de.
De werken met * kunnen geraadpleegd worden in ons infocentrum.

 

  1. Alfabetisch volgens de auteur
  2. Chronologisch

 

Vander Straeten , Edmond, La musique aux Pays-Bas avant le XIXe siècle , 8 vol., Brussel 1867-1882.

Zenck , Hermann, "Zarlinos Istitutioni harmoniche als Quelle zur Musikanschauung der italienischen Renaissance", in: Zeitschrift für Musikwissenschaft 12 (1929-1930), 540-578.

Einstein , Alfred, "The 'Dialogo della musica' of Messer Antonfrancesco Doni", in: Music & Letters 15 (1934), 244-253.

*Lenaerts , René Bernard, "Notes sur Adriaen Willaert maître de chapelle de Saint Marc à Venise de 1527 à 1562", in: Bulletin de l'Institut historique belge de Rome 15 (1935), 107-117.

Lenaerts , René Bernard, "De zesstemmige Mis Mente tota van Adrian Willaert", in: Musica Sacra 42 (1935), 153-165.

*Lenaerts , René Bernard, "La Chapelle de Saint-Marc à Venise sous Adriaen Willaert (1527-1562)", in: Bulletin de l'Institut historique belge de Rome 19 (1938), 205-255.

Levitan , Joseph S., "Adrian Willaert's Famous Duo Quidnam ebrietas . A Composition which Closes Apparently with the Interval of a Seventh", in: Tijdschrift der Vereeniging voor Nederlandsche Muziekgeschiedenis 15 (1938-1939), 166-233.

Carapetyan , Armen, "The Musica Nova of Adriano Willaert", in: Journal of Renaissance and Baroque Music 1 (1946-1947), 200-221.

Einstein , Alfred, The Italian Madrigal , vert. dr. Alexander H. Krappe, Roger H. Sessions en Oliver Strunk, 3 vol., Princeton, New Jersey 1949.

1951

Antonowytsch , Myroslav, Die Motette Benedicta es von Josquin de Prez, und die Messe super Benedicta von Willaert, Palestrina, de la Hêle und de Monte , Utrecht 1951.

1953

Dammann , Rolf, "Spätformen der isorhythmischen Motette im 16. Jahrhundert", in: Archiv für Musikwissenschaft 10 (1953), 16-40.

Shine , Josephine M., The Motets of Jean Mouton , Ph.D. New York University 1953.

1954

Giazotto , Remo, Harmonici concenti in aere veneto , Rome 1954.

1956

*Gerstenberg , Walter (uitg.), Adrian Willaert. Drei Motetten zu fünf Stimmen , Wolfenbüttel 1956 (= Das Chorwerk 59).

1959

Zenck , Hermann, "Über Adrian Willaerts Motetten", in: Walter Gerstenberg (uitg.), Numerus und Affectus. Studien zur Musikgeschichte , Kassel etc. 1959 (= Musikwissenschaftliche Arbeiten 16), 55-66.

1960

Beck , Hermann, "Adrian Willaerts Messen", in: Archiv für Musikwissenschaft 17 (1960), 215-242.

1961

Beck , Hermann, "Adrian Willaerts Motette Mittit ad Virginem und seine gleichnamige Parodiemesse", in: Archiv für Musikwissenschaft 18 (1961), 195-204.

1964

Chapman , Catherine Weeks, Andrea Antico , Ph.D. Harvard University 1964.

Slim , H. Colin (uitg.), Musica nova accomodata per cantar et sonar sopra organi; et altri strumenti, composta per diversi eccellentissimi musici. In Venetia, MDXL , Chicago-Londen 1964 (= Monuments of Renaissance Music 1).

1965

Lockwood , Lewis H., "A Dispute on Accidentals in Sixteenth-Century Rome", in: Analecta Musicologica 2 (1965), 24-40.

Malipiero , Gian Francesco en Virginio Fagotto (uitg.), Antonfrancesco Doni. Dialogo della musica , Wenen-Londen-Milaan 1965 (= Collana di musiche veneziane inedite e rare 7).

1967

*Meier , Helga (uitg.), Fünf Madrigale venezianischer Komponisten um Adrian Willaert, zu 4-7 Stimmen , Wolfenbüttel 1967 (= Das Chorwerk 105).

Zolnay , László, "Data on the Musical Life of Buda in the Late Middle Ages", in: Studia Musicologica 9 (1967), 99-113.

1968

Elders , Willem, Studien zur Symbolik in der Musik der alten Niederländer , Bilthoven 1968.

Lockwood , Lewis H., "A Sample Problem of musica ficta : Willaert's Pater noster ", in: Harold Powers (uitg.), Studies in Music History: Essays for Oliver Strunk , Princeton 1968, 161-182.

Lowinsky , Edward E. (uitg.), The Medici Codex of 1518. A Choirbook of Motets Dedicated to Lorenzo de'Medici, Duke of Urbino , 3 vol., Chicago-Londen 1968 (= Monuments of Renaissance Music 3-5).

1969

Beck , Hermann, "Grundlagen des venezianischen Stils bei Adrian Willaert und Cyprian de Rore", in: Jozef Robijns, Willem Elders, Roelof Lagas en Guido Persoons (uitg.), Renaissance-muziek 1400-1600. Donum natalicium René Bernard Lenaerts , Leuven 1969, 39-50.

Mace , Dean T., "Pietro Bembo and the Literary Origins of the Italian Madrigal", in: The Musical Quarterly 55 (1969), 65-86.

1970

Dunning , Albert, Die Staatsmotette, 1480-1555 , Utrecht 1970.

1971

Long , Joan A., The Motets, Psalms and Hymns of Adrian Willaert. A Liturgico-Musical Study , Ph.D. Columbia University 1971.

Swenson , Milton Allen, The Four-Part Italian Ensemble ricercar from 1540 to 1619 , Ph.D. Indiana University 1971.

1972

Slim , H. Colin, A Gift of Madrigals and Motets , 2 vol., Chicago-Londen 1972.

1973

Meier , Helga, "Zur Chronologie der Musica Nova Adrian Willaerts", in: Analecta Musicologica 12 (1973), 71-96.

Newcomb , Anthony, "Editions of Willaert's Musica Nova : New Evidence, New Speculations", in: Journal of the American Musicological Society 26 (1973), 132-145.

Nugent , George E., The Jacquet Motets and Their Authors , Ph.D. Princeton University 1973.

1974

Columbro , Mary Electa, Ostinato-Technique in the Franco-Flemish Motet, 1480-ca. 1562 , Ph.D. Case Western Reserve University 1974.

Eggers , Wolfgang, Die "Regola Rubertina" des Silvestro Ganassi. Venedig 1542/43. Eine Gambenschule des 16. Jahrhunderts , Kassel etc. 1974.

1977

Rosand , Ellen, "Music in the Myth of Venice", in: Renaissance Quarterly 30 (1977), 511-537.

1978

Cardamone , Donna G. (uitg.), Adrian Willaert and His Circle: Canzone villanesche alla napolitana and villotte , Madison 1978 (= Recent Researches in the Music of the Renaissance 30).

Nutter , David Alan, The Italian Polyphonic Dialogue of the Sixteenth Century , Ph.D. University of Nottingham 1978.

Weidensaul , Jane B., The Polyphonic Hymns of Adrian Willaert , Ph.D. Rutgers University The State University of New Jersey 1978.

1979

Bryant , David, "Liturgia e musica liturgica nella fenomenologia del Mito di Venezia ", in: Giovanni Morelli (uitg.), Mitologie. Convivenze di musica e mitologia. Studi e testi , Venetië 1979, 205-214.

Kirkendale , Warren, "Ciceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach", in: Journal of the American Musicological Society 32 (1979), 1-44.

Lewis , Mary S., Antonio Gardane and His Publications of Sacred Music, 1538-1555 , 2 vol., Ph.D. Brandeis University 1979.

1980

Berger , Karol, Theories of Chromatic and Enharmonic Music in Late 16th Century Italy , s.l.: UMI Research Press 1980 (= Studies in Musicology 10).

Brown , Howard Mayer, "Words and Music: Willaert, the Chanson and the Madrigal about 1540", in: Christine Smith en Salvatore I. Camporeale (uitg.), Florence and Venice: Comparisons and Relations. Acts of two Conferences at Villa I Tatti in 1976-1977 , vol. 2: Il Cinquecento , Firenze 1980 (= Villa I Tatti. The Harvard University Center for Italian Renaissance Studies 5), 217-266.

Haar , James, "Music in 16th-Century Florence and Venice: Some Points of Comparison and Contrast", in: Christine Smith en Salvatore I. Camporeale (uitg.), Florence and Venice: Comparisons and Relations. Acts of Two Conferences at Villa I Tatti in 1976-1977 , vol. 2: Il Cinquecento , Firenze 1980, 267-284.

1981

Bryant , David, "The cori spezzati of St Mark's: Myth and Reality", in: Early Music History 1 (1981), 165-186.

Bryant , David, Liturgy, Ceremonial and Sacred Music in Venice at the Time of the Counter-Reformation , Ph.D. King's College University of London 1981.

Glixon , Jonathan, "Music at the Venetian Scuole Grandi, 1440-1540", in: Iain Fenlon (uitg.), Music in Medieval and Early Modern Europe: Patronage, Sources and Texts , Cambridge 1981, 193-208.

Lewis , Mary S., "Antonio Gardane's Early Connections with the Willaert Circle", in: Iain Fenlon (uitg.), Music in Medieval and Early Modern Europe: Patronage, Sources and Texts , Cambridge 1981, 209-226.

Moore , James H., "The Vespero delli Cinque Laudate and the Role of Salmi Spezzati at St. Mark's", in: Journal of the American Musicological Society 34 (1981), 249-278.

Moore , James H., Vespers at St. Mark's. Music of Alessandro Grandi, Giovanni Rovetta and Francesco Cavalli , 2 vol., s.l.: UMI Research Press 1981.

Muir , Edward, Civic Ritual in Renaissance Venice , Princeton 1981.

Powers , Harold S., "Tonal Types and Modal Categories in Renaissance Polyphony", in: Journal of the American Musicological Society 34 (1981), 428-470.

1982

Agee , Richard J., The Privilege and Venetian Music Printing in the Sixteenth Century , Ph.D. Princeton University 1982.

Just , Martin, "Zur Kanontechnik in Adrian Willaerts Motetten", in: Hermann Dechant en Wolfgang Sieber (uitg.), Gedenkschrift Hermann Beck , Laaber 1982, 19-31.

Pogue , Samuel F., "A Sixteenth-Century Editor at Work: Gardane and Moderne", in: The Journal of Musicology 1 (1982), 217-238.

Rubio , Héctor Edmundo, Der Manierismus in der Vokalpolyphonie des 16. Jahrhunderts , Tutzing 1982 (= Frankfurter Beiträge zur Musikwissenschaft 5).

1983

Agee , Richard J., "Ruberto Strozzi and the Early Madrigal", in: Journal of the American Musicological Society 36 (1983), 1-17.

Agee , Richard J., "The Venetian Privilege and Music-Printing in the Sixteenth Century", in: Early Music History 3 (1983), 1-43.

Bryant , David, "La musica nelle istituzioni religiose e profane di Venezia", in: Girolamo Arnaldi en Manlio Pastore Stocchi (uitg.), Storia della cultura veneta , vol. IV, dl. 1, Vicenza 1983, 433-447.

Glixon , Jonathan, "A Musicians' Union in Sixteenth-Century Venice", in: Journal of the American Musicological Society 36 (1983), 392-421.

Macey , Patrick, "Savonarola and the Sixteenth-Century Motet", in: Journal of the American Musicological Society 36 (1983), 422-452.

1984

Bernstein , Lawrence F. (uitg.), La couronne et fleur des chansons a troys , 2 vol., New York 1984 (= Masters and Monuments of the Renaissance 3).

Moore , James H., " Venezia favorita da Maria : Music for the Madonna Nicopeia and Santa Maria della Salute", in: Journal of the American Musicological Society 37 (1984), 299-355.

Rosand , David, " Venetia figurata : The Iconography of a Myth", in: David Rosand (uitg.), Interpretazioni veneziane. Studi di storia dell'arte in onore di Michelangelo Muraro , Venetië 1984, 177-196.

1985

*Bossuyt , Ignace, Adriaan Willaert (ca. 1490-1562). Leven en werk. Stijl en genres , Leuven 1985.
(afgekort: Bossuyt 1985)

*Vlaanderen, jg 34, nr 3, mei-juni 1985: themanummer Adriaen Willaert

Butchart , David, " La Pecorina at Mantua, Musica Nova in Florence", in: Early Music 13 (1985), 358-366.

Lewis , Mary S., "Zarlino's Theories of Text Underlay as Illustrated in His Motet Book of 1549", in: Notes 42 (1985), 239-267.

Agee , Richard J., "Filippo Strozzi and the Early Madrigal", in: Journal of the American Musicological Society 38 (1985), 227-237.

Lockwood , Lewis H., "Adrian Willaert and Cardinal Ippolito d'Este: New Light on Willaert's Early Career in Italy, 1515-1521", in: Early Music History 5 (1985), 85-112.

1986

Harrán , Don, Word-Tone Relations in Musical Thought from Antiquity to the Seventeenth Century , Neuhausen-Stuttgart 1986 (= Musicological Studies & Documents 40).

Moore , James H., "Bartolomeo Bonifacio's Rituum ecclesiasticorum ceremoniale : Continuity of Tradition in the Ceremonial of St. Mark's, Venice", in: Marc Honegger en Paul Prévost (uitg.), La musique et le rite sacré et profane. Actes du XIIIe Congrès de la Société Internationale de Musicologie. Strasbourg, 29 août-3 septembre 1982 , Straatsburg 1986, 365-408.

Ongaro , Giulio Maria, The Chapel of St. Mark's at the Time of Adrian Willaert (1527-1562): A Documentary Study , Ph.D. University of North Carolina at Chapel Hill 1986.

1987

Blackburn , Bonnie J., Music for Treviso Cathedral in the Late Sixteenth Century , Londen 1987 (= Royal Musical Association Monographs 3).

Bryant , David, "Alcune osservazioni preliminari sulle notizie musicali nelle relazioni degli ambasciatori stranieri a Venezia", in: Francesco Degrada (uitg.), Andrea Gabrieli e il suo tempo. Atti del convegno internazionale (Venezia 16-18 settembre 1985) , Firenze 1987 (= Studi di musica veneta 11), 181-192.

Caffi , Francesco, Storia della musica sacra nella già cappella ducale di S. Marco in Venezia (dal 1318 al 1797) , uitg. dr. Elvidio Surian, Firenze 2 1987 (= Studi di musica veneta 10).

Feldman , Martha, Venice and the Madrigal in the Mid-Sixteenth-Century , Ph.D. University of Pennsylvania 1987.

Fubini , Enrico, "Zarlino, Venezia e la musica strumentale", in: Francesco Degrada (uitg.), Andrea Gabrieli e il suo tempo. Atti del convegno internazionale (Venezia 16-18 settembre 1985) , Firenze 1987 (= Studi di musica veneta 11), 387-402.

Glixon , Jonathan, "Music at the Scuole in the Age of Andrea Gabrieli", in: Francesco Degrada (uitg.), Andrea Gabrieli e il suo tempo. Atti del convegno internazionale (Venezia 16-18 settembre 1985) , Firenze 1987 (= Studi di musica veneta 11), 59-74.

Picker , Martin (uitg.), The Motet Books of Andrea Antico , Chicago-Londen 1987 (= Monuments of Renaissance Music 8).

Pirrotta , Nino, "Willaert e la canzone villanesca", in: Nino Pirrotta (uitg.), Scelte poetiche di musicisti da Willaert a Malipiero , Venetië 1987, 13-42.

1988

Dahlhaus , Carl, Untersuchungen über die Entstehung der harmonischen Tonalität , Kassel etc. 2 1988.

Fromson , Michèle Yvonne, Imitation and Innovation in the North Italian Motet, 1560-1605 , 2 vol., Ph.D. University of Pennsylvania 1988.

Lewis , Mary S., Antonio Gardano. Venetian Music Printer 1538-1569. A Descriptive Bibliography and Historical Study , vol. 1: 1538-1549 , New York-Londen 1988.

Ongaro , Giulio Maria, "Sixteenth-Century Patronage at St Mark's, Venice", in: Early Music History 8 (1988), 81-115.

Ongaro , Giulio Maria, "Willaert, Gritti e Lupato: Miti e realtà", in: Studi musicali 17 (1988), 55-70.

Rotola , Albert C. (uitg.), Gaspar Stoquerus: De musica verbali libri duo. Two Books on Verbal Music , Lincoln-Londen 1988 (= Greek and Latin Music Theory 5).

Urquhart , Peter W., Canon, Partial Signatures, and "Musica Ficta" in Works by Josquin DesPrez and His Contemporaries , Ph.D. Harvard University 1988.

Palisca, Claude V., Norton Anthology of Western Music. Volume I: Medieval. Renaissance. Baroque. New York. Sec. ed. 1988.

1989

Brown , Howard Mayer, "Bossinensis, Willaert and Verdelot: Pitch and the Conventions of Transcribing Music for Lute and Voice in Italy in the Early Sixteenth Century", in: Revue de musicologie 75 (1989), 25-46.

Feldman , Martha, "Rore's selva selvaggia : The Primo libro of 1542", in: Journal of the American Musicological Society 42 (1989), 547-603.

Fenlon , Iain, "Venice: Theatre of the World", in: Iain Fenlon (uitg.), Man and Music. The Renaissance from the 1470s to the End of the 16th Century , New Jersey 1989, 102-132

*Lowinsky, Edward E., " Music in Titian's Bacchanal of the Andrians: Origin and History of the Canon per tonos", gepubliceerd in " Music in the Culture of the Renaissance and Other Essays ", uitg. dr. Bonnie J. Blackburn, Chicago-Londen 1989, dl 1, p. 289 - 312. .

Lowinsky , Edward E., "A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome", in: Bonnie J. Blackburn (uitg.), Music in the Culture of the Renaissance and Other Essays , vol. 2, Chicago-Londen 1989, 433-482.

Lowinsky , Edward E., "Adrian Willaert's Chromatic "Duo" Reexamined", in: Bonnie J. Blackburn (uitg.), Music in the Culture of the Renaissance and Other Essays , vol. 2, Chicago-Londen 1989, 681-698.

Lowinsky , Edward E., "A Treatise on Text Underlay by a German Disciple of Francisco de Salinas", in: Bonnie J. Blackburn (uitg.), Music in the Culture of the Renaissance and Other Essays , vol. 2, Chicago-Londen 1989, 868-883.

Lowinsky , Edward E., "Problems in Adrian Willaert's Iconography", in: Bonnie J. Blackburn (uitg.), Music in the Culture of the Renaissance and Other Essays , vol. 1, Chicago-Londen 1989, 267-277.

Lowinsky , Edward E., "Echoes of Adrian Willaert's "Duo" in: Bonnie J. Blackburn (uitg.), Music in the Culture of the Renaissance and Other Essays , vol. 2, Chicago-Londen 1989, 699-729.

Lowinsky , Edward E., "The Musical Avant-Garde of the Renaissance; or, The Peril and Profit of Foresight", in: Bonnie J. Blackburn (uitg.), Music in the Culture of the Renaissance and Other Essays , vol. 2, Chicago-Londen 1989, 730-753.

Owens , Jessie Ann en Richard J. Agee, "La stampa della Musica Nova di Willaert", in: Rivista italiana di musicologia 24 (1989), 219-305.

1990

Cattin , Giulio, Musica e liturgia a San Marco. Testi e melodie per la liturgia delle ore dal XII al XVII secolo. Dal Graduale tropato del duecento al graduali cinquecenteschi , 3 vol., Venetië 1990.

Ferro , Anna L. H., Aspects of Modal Representation in Musica nova (1540) , MM Thesis University of London, Royal Holloway & Bedford College 1990.

Finscher , Ludwig en Annegrit Laubenthal, "'Cantiones sacrae quae vulgo motecta vocantur'. Arten der Motette im 15. und 16. Jahrhundert", in: Ludwig Finscher (uitg.), Die Musik im 15. und 16. Jahrhundert , vol. 2, Laaber 1990 (= Neues Handbuch der Musikwissenschaft 3), 277-370.

Glixon , Jonathan, " Far una bella procession : Music and Public Ceremony at the Venetian scuole grandi ", in: Richard Charteris (uitg.), Altro Polo. Essays on Italian Music in the Cinquecento , Sydney 1990, 190-220.

Owens , Jessie Ann, "Music Historiography and the Definition of Renaissance ", in: Notes 47 (1990), 305-330.

Urban Padoan , Lina, "Dalla momaria alla mascherata : lo spettacolo pubblico a Venezia nel Cinquecento", in: Ivano Cavallini (uitg.), Il diletto della scena e dell'armonia: Teatro e musica nelle Venezie dal '500 al '700 , Rovigo 1990, 7-25.

1991

Bartoli , Rebecca, "L'apprendistato italiano di Orlando di Lasso", in: Studi musicali 20 (1991), 235-265.

Blackburn , Bonnie J., Edward E. Lowinsky en Clement A. Miller (uitg.), A Correspondence of Renaissance Musicians , Oxford 1991.

Carey , Frank, "Composition for Equal Voices", in: Journal of Musicology 9 (1991), 300-342.

Freeman , Daniel E., "On the Origins of the Pater noster - Ave Maria of Josquin des Prez", in: Musica Disciplina 45 (1991), 169-219.

Glixon , Jonathan, "Music and Ceremony at the Scuola Grande di San Giovanni Evangelista: A New Document from the Venetian State Archives", in: Konrad Eisenbichler (uitg.), Crossing the Boundaries: Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities , Kalamazoo-Michigan 1991 (= Early Drama, Art, and Music Monograph Series 15), 56-89.

Miller , Jonathan Marcus, Word-Sound and Musical Texture in the Mid-Sixteenth-Century Venetian Madrigal, Ph.D. University of North Carolina at Chapel Hill 1991.

Morgante, Domenico, La Musica in Puglia tra Rinascite e Rivoluzioni , Bari 1991.

1992

Bernstein , Jane A. (uitg.), Adrian Willaert: The Complete Five and Six-Voice Chansons , New York-Londen 1992 (= The Sixteenth-Century Chanson 23).

Blackburn , Bonnie J., "Music and Festivities at the Court of Leo X: A Venetian View", in: Early Music History 11 (1992), 1-37.

Cumming , Julie E., "Music for the Doge in Early Renaissance Venice", in: Speculum 67 (1992), 324-364.

Fromson , Michèle Yvonne, "Zarlino's Modal Analysis of Willaert's Avertatur obsecro ", in: Rossana Dalmonte en Mario Baroni (uitg.), Studi e testi 1. Secondo convegno europeo di analisi musicale , Trente 1992, 237-248.

Keyser , Dorothy, "The Character of Exploration: Adrian Willaert's Quid non ebrietas ", in: Carol E. Robertson (uitg.), Musical Repercussions of 1492: Encounters in Text and Performance , Washington 1992, 185-207.

Powers , Harold S., "Is Mode Real? Pietro Aron, the Octenary System, and Polyphony", in: Basler Jahrbuch für historische Musikpraxis 16 (1992), 9-53.

Taricani , JoAnn, "The Early Works of Jacquet de Berchem: Emulation and Parody", in: Revue belge de musicologie 46 (1992), 53-79.

Smith , Anne, "Willaert Motets and Mode", in: Basler Jahrbuch für historische Musikpraxis 16 1992, 117-165.

Tiozzo , Loris, Gioseffo Zarlino teorico musicale , Conselve 1992.

Welker , Lorenz, "Die Musik der Renaissance", in: Hermann Danuser (uitg.), Musikalische Interpretation , Laaber 1992 (= Neues Handbuch der Musikwissenschaft 11), 139-215.

1993

Almquist , Bradley Leonard, Adrian Willaert's "Musica Nova" Selected Motets: Editions and Commentary , Ph.D. Louisiana State University and Agricultural and Mechanical College 1993.

Fenlon , Iain, "Music at St. Mark's Before Willaert", in: Early Music 21 (1993), 547-563.

Rivera , Benito V., "Finding the Soggetto in Willaert's Free Imitative Counterpoint: A Step in Modal Analysis", in: Christopher Hatch en David W. Bernstein (uitg.), Music Theory and the Exploration of the Past , Chicago-Londen 1993, 73-102.

Schubert , Peter, "Mode and Counterpoint", in: Christopher Hatch en David W. Bernstein (uitg.), Music Theory and the Exploration of the Past , Chicago-Londen 1993, 103-136.

1994

*Bossuyt, Ignace De Vlaamse Polyfonie, Leuven,1994 (samen met een reeks cd's van EUFODA)
(afgekort: Bossuyt 1994)

Elders , Willem, Symbolic Scores. Studies in the Music of the Renaissance , Leiden-New York 1994 (= Symbola et Emblemata. Studies in Renaissance and Baroque Symbolism 5).

Freedman , Richard, "Claude Le Jeune, Adrian Willaert and the Art of Musical Translation", in: Early Music History 13 (1994), 123-148.

Fromson , Michèle Yvonne, "Themes of Exile in Willaert's Musica Nova ", in: Journal of the American Musicological Society 47 (1994), 442-487.

Ongaro , Giulio Maria, "Gli inizi della musica strumentale a San Marco", in: Francesco Passadore en Franco Rossi (uitg.), Giovanni Legrenzi e la cappella ducale di San Marco , Firenze 1994 (= Quaderni della Rivista italiana di musicologia 29), 215-226.

Selfridge-Field , Eleanor, Venetian Instrumental Music from Gabrieli to Vivaldi , Oxford 2 1994.

1995

Feldman , Martha, City Culture and the Madrigal at Venice , Berkeley-Los Angeles 1995.
Volledig te lezen via internet. Tik hier:
http://www.escholarship.org/editions/view?docId=ft238nb1nr&brand=ucpress

Krebs , Wolfgang, Die Lateinische Evangelien-Motette des 16. Jahrhunderts. Repertoire, Quellenlage, musikalische Rhetorik und Symbolik , Tutzing 1995 (= Frankfurter Beiträge zur Musikwissenschaft 25).

Rivera , Benito V., "Theory Ruled by Practice: Zarlino's Reversal of the Classical System of Proportions", in: Indiana Theory Review 16 (1995), 145-170.

Rivera , Benito V., "Improvisation and the Contrapuntal Process in Sixteenth-Century Imitative Polyphony", onuitg. congrespaper (persoonlijke communicatie met de auteur).

Toffolo , Stefano, Strumenti musicali a Venezia nella storia e nell'arte dal XIV al XVIII secolo , Cremona 1995.

Wiering , Frans, The Language of the Modes. Studies in the History of Polyphonic Modality , Ph.D. Universiteit Amsterdam 1995.

1996

Horn , Wolfgang, "Est modus in rebus". Gioseffo Zarlinos Musiktheorie und Kompositionslehre und das "Tonarten"-Problem in der Musikwissenschaft , 2 vol., onuitg. Habilitationsschrift, Hochschule für Musik und Theater Hannover 1996.

Fenlon , Iain, "Strangers in Paradise: Dutchmen at St. Mark's in 1525", in: Patrizia Dalla Vecchia en Donatella Restani (uitg.), Trent'anni di ricerche musicologiche. Studi in onore di F. Alberto Gallo , Rome 1996, 323-337.

Schiltz , Katelijne (1996), De "Musica Nova" (1558-1559) van Adriaan Willaert. De muzikaal-historische context. Een analyse van de motetten , onuitg. licentiaatsverhandeling Katholieke Universiteit Leuven.

1997

Finscher , Ludwig, "Von Josquin zu Willaert - ein Paradigmenwechsel?", in: Hanns-Werner
Heister (uitg.), Musik/Revolution. Festschrift für Georg Knepler zum 90. Geburtstag , vol. 1,
Hamburg 1997, 145-173.

Glixon , Jonathan, " Con canti et organo : Music at the Venetian scuole piccole during the
Renaissance", in: Jessie Ann Owens en Anthony M. Cummings (uitg.), Music in Renaissance
Cities and Courts. Studies in Honor of Lewis Lockwood
, Michigan 1997, 123-140.

Lewis , Mary S., Antonio Gardano. Venetian Music Printer 1538-1569. A Descriptive
Bibliography and Historical Study
, vol. 2: 1550-1559 , New York-Londen 1997.

Meier , Bernhard, "Die Octo Beatitudines in der Vertonung von Adrian Willaert und Orlando
di Lasso", in: Heinrich Poos (uitg.), Chormusik und Analyse. Zweiter Teil: Beiträge zur
Formanalyse und Interpretation mehrstimmiger Vokalmusik
, vol. 1, Mainz-Londen 1997,
43-54.

Owens , Jessie Ann, Composers at Work. The Craft of Musical Composition 1450-1600 , New
York-Oxford 1997.

Pike , Lionel, Hexachords in Late-Renaissance Music , Aldershot-Brookfield 1997.

Powers , Katherine, The Spiritual Madrigal in Counter-Reformation Italy: Definition, Use, and
Style
, Ph.D. University of California, Santa Barbara 1997.

Rifkin , Joshua, "Miracles, Motivicity, and Mannerism. Adrian Willaert's Videns Dominus
flentes Lazari
and Some Aspects of Motet Composition in the 1520s", in: Dolores Pesce
(uitg.), Hearing the Motet. Essays on the Motet of the Middle Ages and Renaissance , New
York-Oxford 1997, 243-264.

Schick , Paul Christopher, Concordia Discourse: Polyphony and Dialogue in Willaert, Wert, and
Monteverdi
, Ph.D. Yale University 1997.

1998

Bernstein , Jane A., Music Printing in Renaissance Venice: The Scotto Press (1539-1572) , New York 1998.

Bossuyt , Ignace, " O socii durate : A Musical Correspondence from the Time of Philip II", in: Early Music 26 (1998), 432-443.

Bujic , Bojan, "Palestrina, Willaert, Archadelt and the Art of Imitation", in: Recercare 10 (1998), 105-131.

Fenlon , Iain, "Music, Ceremony and Self-Identity in Renaissance Venice", in: Francesco Passadore en Franco Rossi (uitg.), La cappella musicale di San Marco nell'età moderna. Atti del convegno internazionale di studi. Venezia - Palazzo Giustinian Lolin 5-7 settembre 1994 , Venetië 1998, 7-21.

Glixon , Jonathan, "The Musicians of the cappella and the scuole : Collaboration or Competition?", in: Francesco Passadore en Franco Rossi (uitg.), La cappella musicale di San Marco nell'età moderna. Atti del convegno internazionale di studi. Venezia - Palazzo Giustinian Lolin 5-7 settembre 1994 , Venetië 1998, 301-312.

Haar , James, "The Note Nere Madrigal", in: Paul Corneilson (uitg.), The Science and Art of Renaissance Music , Princeton, New Jersey 1998, 201-221.

Haar , James, "Notes on the 'Dialogo della musica' of Antonfrancesco Doni", in: Paul Corneilson (uitg.), The Science and Art of Renaissance Music , Princeton, New Jersey 1998, 271-299.

Haar , James, "The Libraria of Antonfrancesco Doni", in: Paul Corneilson (uitg.), The Science and Art of Renaissance Music , Princeton, New Jersey 1998, 323-350.

Haar , James, "Zarlino's Definition of Fugue and Imitation", in: Paul Corneilson (uitg.), The Science and Art of Renaissance Music , Princeton, New Jersey 1998, 121-148.

Haar , James, "False Relations and Chromaticism in Sixteenth-Century Music", in: Paul Corneilson (uitg.), The Science and Art of Renaissance Music , Princeton, New Jersey 1998, 93-120.

Kidger , David Michael, The Masses of Adrian Willaert: A Critical Study of Sources, Style and Context , Ph.D. Harvard University 1998.

Macey , Patrick, Bonfire Songs. Savonarola's Musical Legacy , Oxford 1998.

Passadore , Francesco en Franco Rossi (uitg.), La cappella musicale di San Marco nell'età moderna. Atti del convegno internazionale di studi. Venezia - Palazzo Giustinian Lolin 5-7 settembre 1994 , Venetië 1998.

Quaranta , Elena, Oltre San Marco. Organizzazione e prassi della musica nelle chiese di Venezia nel Rinascimento , Firenze 1998.

Richenhagen , Albert, "Zarlinos Lehre vom doppelten Kontrapunkt in der Duodezime. Aspekte ihrer Vorgeschichte und ihrer Nachwirkung", in: Heribert Klein en Klaus Wolfgang Niemöller (uitg.), Kirchenmusik in Geschichte und Gegenwart. Festschrift Hans Schmidt zum 65. Geburtstag , Keulen-Rheinkassel 1998, 139-148.

Schick , Hartmut, Musikalische Einheit im Madrigal von Rore bis Monteverdi. Phänomene, Formen und Entwicklungslinien , Tutzing 1998 (= Tübinger Beiträge zur Musikwissenschaft 18).

Vio , Gastone, "Le confraternite nella chiesa di San Marco", in: Francesco Passadore en Franco Rossi (uitg.), La cappella musicale di San Marco nell'età moderna. Atti del convegno internazionale di studi. Venezia - Palazzo Giustinian Lolin 5-7 settembre 1994 , Venetië 1998, 243-258.

2000

Bossuyt , Ignace, " O socii durate : Antoine Perrenot de Granvelle en de Vlaamse polyfonist Adriaan Willaert (ca. 1490-1562). Nieuwe gegevens op basis van de in Madrid bewaarde correspondentie van Granvelle", in: Krista De Jonge en Gustaaf Janssens (uitg.), Les Granvelle et les anciens Pays-Bas. Liber doctori Mauricio Van Durme dedicatus , Leuven 2000 (= Symbolae Facultatis Litterarum Lovaniensis B.17), 321-340.

Judd , Cristle Collins, Reading Renaissance Music Theory. Hearing with the Eyes , Cambridge 2000 (= Cambridge Studies in Music Theory and Analysis 14).

Walker , Paul M., Theories of Fugue from the Age of Josquin to the Age of Bach , Rochester 2000 (Eastman Studies in Music 13).

*Schiltz , Katelijne, "Le motet Confitebor tibi d'Adrien Willaert: une analyse structurelle de la secunda pars ", in: Musurgia. Analyse et pratique musicales 7 (2000), 45-59.

2001

Schiltz , Katelijne, "Polyphony and Word-Sound in Adrian Willaert's Laus tibi sacra rubens ", in: Bruno Bouckaert en Eugeen Schreurs (uitg.), Proceedings of the International Conference Bruges - Venice: Music in two Urban Mosaics, Bruges, 14-16 December 2001 , Leuven-Peer (= Yearbook of the Alamire Foundation 6)

*Schiltz, Katelijne Adriaan Willaert en de Venetiaanse motetpraktijk. Een onderzoek naar stijlbepaling. Verhandeling, aangeboden tot het bekomen van de graad van Doctor in de Musicologie. Leuven, 2001
(afgekort: Schiltz 2001)

Bernstein, Jane A., Print Culture and Music in Sixteenth-Century Venice , Oxford 2001.

Fenlon , Iain, "Magnificence as Civic Image: Music and Ceremonial Space in Early Modern Venice", in: Fiona Kisby (uitg.), Music and Musicians in Renaissance Cities and Towns , Cambridge 2001, 28-44.

Powers , Katherine (uitg.), Musica spirituale, libro primo (Venice, 1563) , Middleton, Wisconsin 2001 (= Recent Researches in the Music of the Renaissance 127).

Rosand , David, Myths of Venice. The Figuration of a State , Chapel Hill-Londen 2001.

*Schiltz , Katelijne, "Adrian Willaert's Beati pauperes spiritu : a Structural Analysis of Its Motivic Organisation", in: Muziek & Wetenschap 7 (2001), 305-317.

*Schiltz , Katelijne, "Content and Context: Public and Private Motet Style in Sixteenth-Century Venice", in: Anne-Emmanuelle Ceulemans en Bonnie J. Blackburn (uitg.), Music Theory and Analysis 1450-1650. Proceedings of the International Conference Louvain-la-Neuve, 23-25 September 1999 , Louvain-la-Neuve 2001 (= Musicologica neolovaniensia 9), 323-339.

2002

Schiltz , Katelijne, "Musiktheorie und Kompositionspraxis: Von Zarlinos Istitutioni harmoniche (1558) zu den Modulationes sex vocum (1566)", in: Ulrich Kaiser en Stefan Rohringer (uitg.), Musiktheorie - Begriff und Praxis: Kongreßbericht des 2. Kongresses der Deutschen Gesellschaft für Musiktheorie, 11.-13. Oktober 2002, München (= Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München 2)

Fenlon , Iain, Music and Culture in Late Renaissance Venice , Oxford 2002.

Horn , Wolfgang, "Adrian Willaerts 'anderer Vesperdruck'. Bemerkungen zu den Psalmvertonungen in I sacri e santi salmi che si cantano a Vespro e Compieta ", in: Ulrich Konrad, Jürgen Heidrich en Hans Joachim Marx (uitg.), Musikalische Quellen - Quellen zur Musikgeschichte. Festschrift für Martin Staehelin zum 65. Geburtstag , Göttingen 2002, 141-157.

*Schiltz , Katelijne, "Een zestiende-eeuwse variatie op het 'Ma fin est mon commencement'-thema: Adriaan Willaerts Homo quidam fecit ", in: Tijdschrift voor Muziektheorie 7 (2002), 24-32.

2003

Schiltz , Katelijne, "Church and Chamber: The Influence of Acoustics on Musical Composition and Performance", in: Early Music 31 (2003), 64-78.

Schiltz , Katelijne, "Selbstdarstellung und Mäzenatentum im Exil: die Florentiner fuorusciti in Venedig (ca. 1536-1546)", in: Die Musikforschung 56 (2003), 46-53.

*Schiltz , Katelijne, "Vulgari orecchie - purgate orecchie". De relatie tussen publiek en muziek in het Venetiaanse motetoeuvre van Adriaan Willaert , Leuven 2003 (= Symbolae Facultatis Litterarum Lovaniensis Series B.31).
(afgekort: Schiltz 2003)

Schubert, Peter, " Recombinant Melody: Ten Things to Love About Willaert's Music ", in: Current Musicology 75 (2003), 91-113.

2004

Moretti , Laura, "Architectural Spaces for Music: Jacopo Sansovino and Adrian Willaert", in: Early Music History 23 (2004), 153-184.

Schiltz , Katelijne, "Motets in their Place: Some 'Crucial' Findings on Willaert's Book of Five-Part Motets (Venice 1539)", in: Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 54 (2004), 99-118.

*Schiltz, Katelijne Adriaen Willaert. (1488-1562).
Programmabrochure bij het concert van 8 mei 2004 door het COLLEGIUM VOCALE GENT te Roeselare
(afgekort: Schiltz 2004)

Wibberley, Roger, " Quid non ebrietas dissignat ? Willaert's Didactic Demonstration of Syntonic Tuning", in: Music Theory Online 10 (2004): zie ook http://www.societymusictheory.org/mto/issues/mto.04.10.1/mto.04.10.1.wibberley1_frames.html

2005

Getz, Christine Suzanne. Music in the Collective Experience in Sixteenth-Century Milan , Ashgate 2005.

*Kidger, David, Adrian Willaert. A Guide to Research , New York-Londen 2005.

*Schiltz, Katelijne, Il primo libro delle Greghesche di Manoli Blessi. Artikel in de program-mabrochure van het Festival van Vlaanderen Brugge (23 juli tot 6 aug. 2005), p. 171.

*Zywietz, Michael, art. "Adrian Willaerts Motette Victimae paschali laudes und die Aristoteles-Rezeption in Venedig." in Leinkauf, Thomas, ed., Der Naturbegriff in der Fruhen Neuzeit, Tubingen, 2005.

Zywietz, Michael, "'Perfectio igitur delectationis musicae consistit in eius perfecta cognitione'. Adrian Willaerts Motette Victimae paschali laudes und die Aristoteles-Rezeption in Venedig ", in: Thomas Leinkauf en Karin Hartbecke (uitg.), Der Naturbegriff in der frühen Neuzeit. Semantische Perspektiven zwischen 1500 und 1700 , Tübingen 2005, 69-86

Urquhart, Peter W., "The Persistence of Exact Canon throughout the Sixteenth Century", in: Katelijne Schiltz en Bonnie J. Blackburn (uitg.), Canons and Canonic Techniques, 14th-16th Centuries: Theory, Practice, and Reception History. Proceedings of the International Conference, Leuven, 4-6 October 2005 , Leuven-Dudley: Peeters Publishers, 2007 (Analysis in Context. Leuven Studies in Musicology 1), 171-196.

2006

*Schiltz, Katelijne, 'Mi ho scritto e sembre scrivo greghe rime galande': Antonio Molino en de 16de-eeuwse Venetiaanse GREGHESCA. Bijdrage in de programmabrochure , uitgegeven door de Adriaen Willaert Stichting voor het concert van 6 mei 2006 door ZEFIRO TORNA.

2007

Schiltz, Katelijne, "'Mi ho scritto e sembre scrivo greghe rime galande': Sprachwitz und
Musik in der venezianischen Greghesca " , in: Birgit Lodes (uitg.), Wiener Quellen der
älteren Musikgeschichte zum Sprechen gebracht
, Tutzing 2007 (= Wiener Forum für Ältere
Musikgeschichte 1), 361-379.

*Schiltz, Katelijne, "Tod in Venedig. Adrian Willaert als Rezipient burlesker Lamenti", in
Stefan Gasch en Birgit Lodes (uitg.), Tod in Musik und KulturZum 500. Todestag Philipps des
Schönen
, Tutzing 2007 (= Wiener Forum für Ältere Musikgeschichte 2), 359-376.

Rice, Stephen "Resonances of Josquin in Later Inviolata Settings", in: Katelijne Schiltz en
Bonnie J. Blackburn (uitg.), Canons and Canonic Techniques, 14th-16th Centuries: Theory,
Practice, and Reception History. Proceedings of the International Conference, Leuven, 4-6
October 2005
, Leuven-Dudley: Peeters Publishers, 2007 (Analysis in Context. Leuven
Studies in Musicology 1), 197-220.

Gasch, Stefan (ed.) en Lodes, Birgit (ed.), Tod in Musik und Kultur : zum 500. Todesdag
Philipps des Schönen. Wiener Forum für ältere Musikgeschichte, 2. Tutzig. 2007

2008

Schiltz, Katelijne. art. "Gioseffo Zarlino and the Miserere Tradition: A Ferrarese Connection?"
in Early Music History (2008) Volume 27. Cambridge University Press

Bruno, Luca. Theory and Analysis of Harmony in Adrian Willaert's Canzone villanesche alla
napolitana (1542-1545).
Rende: Università della Calabria, 2008

2010

McKinney, Timothy R., "Adrian Willaert and the theory of interval affect. The Musica Nova
Madrigals and the Novel Theories of Zarlino and Vicentino.
" Sorrey, 2010.

Holzer, Irene. "La Santa unione de le Note" Kompositionsstrategien in Adrian Willaerts Messen. Doctoraatsdissertatie univ. Salzburg. 2010. (digitaal)

2011

Lütteken, Laurenz, Musik der Renaissance. Imagination und Wirklichkeit einer kulturellen
Praxis,
Kassel, 2011.

2012

Freedman, Richard, "Music in the Renaissance". Norton, 2012

2013

Freedman, Richard, "Anthology for Music in the Renaissance" in de reeks "Western Music in
Context - A Norton History
". New York, Londen, 2013. Ter aanvulling van "Music in
Renaissance
". 2012

 

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